#Luca and alberto skin

He portrays himself to Luca as a world-weary traveler, the kind of friend who swears theyвЂ™ve been to a place a million times, but has only walked past it. But in a deeper sense,В many secrets lurk within Alberto, from the whereabouts of his dad to his general knowledge. The premise of the film alsoВ literally disguises Luca and Alberto as humans amongst the fish hunting Portorosso community. The measured eroding of his care-free, buoyant persona into the narrative's real monster is predictable yet satisfying. We soon discover that his love, somewhat like Gaston in вЂњBeauty and the BeastвЂќ (another Disney flick attuned to true identities) actually rules through intimidation. The villainous Ercole is initially and seemingly well-loved, as though ripped from an Italian magazine. The other thread winding around the folklorish narrative, however, is identity, or the people who truly are behind our public faces. The most distinct current coursing through вЂњLucaвЂќ is freedom: thatвЂ™s certainly what the Vespa represents, the ability to be unrestricted not just by sea, but by land too. In a bid to earn enough money to buy a Vespa, the boys pair with Giulia to win the cup away from the evil five-time champion Ercole Visconti ( Saverio Raimondo) and his goons while an entire town lays a bounty for sea monsters on their heads. There, they come across Giulia ( Emma Berman), a red-headed, independently minded tomboy with dreams of winning the Portorosso cup-a traditional Italian triathlon consisting of swimming, cycling, and eating pasta-and her one-armed, burly father Massimo ( Marco Barricelli).

Instead, Luca runs away with Alberto to the town of Portorosso. Their plans nearly come to a halt, however, when LucaвЂ™s frightful parents threaten to make him liveВ his oddball Uncle Ugo ( Sacha Baron Cohen, essentially using his Borat voice in a fish) in the trenches.

They dream of buying a vespa and traveling the globe together. Once on dry land, Alberto and Luca form a quick bond. But for Luca, such power dangles greater temptation over him.

#Luca and alberto skin

Their ability isnвЂ™t controllable, however, as touching waterВ reverts their skin back to theirВ real scaly exterior. Rather than an evil witch granting him a human appearance, a la вЂњThe Little Mermaid,вЂќ the sea monsters here can naturally, magically turn mortal. If youвЂ™re wondering how these creatures with fins, scales, and tails can could live on among humans without being discovered, writers Jesse Andrews (вЂњ Me and Earl and the Dying GirlвЂќ) and Mike Jones (вЂњ SoulвЂќ) have a tidy solution for that. As does Alberto, an older, confident amphibian boy who now lives alone in a crumbling castle tower by the beach, and claims his father is temporarily traveling. These items draw Luca closer to the surface.

Nevertheless, dry world affectations fall to the ocean floor: an alarm clock, a playing card, and a wrench. Looming against his desires are his mother ( Maya Rudolph) and fatherвЂ™s ( Jim Gaffigan) fear fromВ living by a human, sea-monster-hunting oceanfront village.